Vocaloid Descriptions: LEON and LOLA

     (Note: I know I promised to do the Big 8 first, but their descriptions are actually slightly painful to write. I can't really... appreciate them. They're kind of annoying, honestly. Well, mainly the CV series, and I think it's because people think they're THE BEST Vocaloids EVAH but they really aren't, mainly because they're voice acted. But enough about them! Leon and Lola are awesome, so I'm doing their descriptions this week to take a break from that.)
LEON and LOLA

     Voice donors: Two anonymous soul singers.
     Engine: V1
     Company: Made by Yamaha, sold by Zero-G
     Release date: January 15, 2004
     Updates and/or additional voicebanks: Nope:(
     Language: English, although I have seen Leon sing French once.
     Voice type: LEON is a tenor with, in my humble opinion at least, awesome falsetto. He has a British accent. LOLA has a deeper voice, almost deeper than Leon's, and appears to have a British accent as well, but when singing soul, her natural Caribbean accent reveals itself.
     Strengths: LEON fits incredibly well with Daft Punk, and did I mention that falsetto? Both of them fit really well with songs that don’t necessarily want a realistic voice, such as Creative for example.
     Weaknesses: There are sadly so many that I think I’ll have to number them... (1) They were only partially based on human recordings, and the technology for that wasn't very advanced at the time, so they lack some qualities of the human voice.* (2) They struggle with low notes. (3) There’s a ton of engine noise in V1. (4) They can sound muffled and bored. (5) V1’s interface is overall hard to use. (6) Their pronunciation is weird on some words, which makes them difficult to understand. Overall, they were good for the first Vocaloids, but the technology has improved since then.
     Examples: Take On Me, Get Lucky, Instant Crush, The World Tonight, Party Junkie, Invisible Being, Athena
     Reception: At the time they were pretty advanced, and they even won a few awards, but they missed their audience, American music producers. Two reasons were their bugs and their non-American accents. Some wish for a V5 update, but it’s really not going to come.
     My opinion: I think that, when used properly, they sound really cool. Well, they are certainly unique, anyways, which is one of the things I really like in Vocaloids. I am really impressed with them when they’re tuned properly.
     AtH History Of the Vocaloids video- this is a much better description of them than I gave. Go watch it if you’re not satisfied. Actually, go watch it anyway, because there is some really cool information in there that I was too lazy to put in here.
     *I say "at the time" because it has advanced massively since then. Synth V uses the same technology now, and look at Eleanor Forte.

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